old town: The gesture of creating this twin is making metaphor. The photographs in History Images are of histories, in the form of old town in Chongqing, either being destroyed or created at this juncture in time. They are of past histories, in the form of traditional buildings and neighborhoods, urban fabrics, and natural landscapes, in the process of being erased. They are of the absence of histories, in the form of construction sites, built upon an erasure of the past so complete that one would never know a past had ever existed. And they are of the anticipation of future histories, yet to unfold, in the form of newly built cities. After the economic reform, 1979, history is seen as an enemy in need of dismantling, as summarized in the popular Cultural Revolution slogan, “Smash the Old World, Build the New World”. Presently in China, history as urban form is seen in contradictory terms: as proof of China’s accomplishments and contributions to civilization, yet more often as an inconvenience to urban modernization. Ironically, China’s current economic revolution is facilitating the physical destruction of history that was called for during the Cultural Revolution. From the resulting emptiness the components of China’s new cities are built out of nothing: luxury apartments, shopping centers, supermarkets, widened roads, tennis courts, office blocks, parking lots. To value the demolished old town in Chongqing, I see this old town as a floating engine. It’s closer to human life with small scale buildings and streets and busy commercial, compare to those newly raised cold-blood buildings. At the meantime, this old town machine is keeping contributing its power and energy to this “new city”